No wonder “Mi Gente” was such a global, cross-culture sensation.īalvin worked with William to reinvent the source material, adding Spanish lyrics, chants, and ferocious Latin percussion.

Much of what makes Colombian singer J Balvin’s “Mi Gente” sizzle-that audacious drumbeat, that insistent five-note vocal melody-is lifted from Mauritian-French singer Willy William’s 2017 track “Voodoo Song,” which itself reinterprets a sample from the Indian composer Akassh. J Balvin / Willy William: “Mi Gente (Remix)” (2017) But his actual relationship to such sources could be hard to read: Was Maus poking fun at music’s power to manufacture an emotional response, like when we find ourselves crying in the middle of a commercial, or celebrating its potential to offer us a fleeting moment of ecstasy, a glimpse of a world that is better than our own? Arriving at the end of 2011’s We Must Be the Pitiless Censors of Ourselves with the cathartic finality of perfectly curated exit music, this song-with its glittering harpsichord arpeggios, briskly pulsing bass, and grandiose allusions to borderless love-is the closest Maus has ever come to being a true believer. So far, however, I’m not feeling like the storylines are really breaking much new ground.Like many of his lo-fi pop contemporaries in the early ’10s, reclusive Midwesterner John Maus pushed underground music forward by looking backward-rejecting digital studio techniques in favor of old drum machines and wonky synths, excavating the dramatic excesses of ’80s stadium pop and sentimental radio jingles as though they held clues to some hard-to-pinpoint generational subconscious. Of the three four young female hunters from “Wayward Sisters,” Guevara-prip was – and still is – one of the best actors, so I’ll be happy enough to see more from her. Even the supporting cast of Guevara-Prip and Calis are really strong.

Calvert and Ackles give particularly good performances, but Collins, Padalecki and Rhodes also have strong scenes. So, we’re rather back to Dean after Hell on several fronts. Dean, being Dean, now feels guilty for all the pain and suffering that Michael caused – it’s all his fault. He’d thought he could make it out, but he wasn’t strong enough. And he remembers every second of fighting and clawing for air. He doesn’t remember most of it because he was under water. Sam listens as Dean admits that it wasn’t a blink.

Scars sam smith quotes